DVD

Tim And Eric
Tim Heidecker and Eric Wareheim’s surreal Adult Swim spoof of public access television will now alienate viewers on a new format.
by Nathan Rabin
 
rules
The New Cult Canon: The Rules Of Attraction
Sleazeterpiece?
by Scott Tobias
 

From The Archives

 
father knows best
Father Knows Best: Season One
When dad was always right.
by Noel Murray
 
new frontier
Justice League: The New Frontier
Darwyn Cooke’s brilliant comic about classic DC icons gets a feature adaptation, courtesy of Batman: The Animated Series veteran Bruce Timm.
by Keith Phipps
 
the dragon painter
The Dragon Painter

Anyone who's seen Know Your Enemy: Japan will have a hard time reconciling the Hollywood propaganda machine's vision of the Japanese as...


by Noel Murray
 
Fall Of The Roman Empire
The Fall Of The Roman Empire
In an era of overpriced big-screen monstrosities, Anthony Mann’s historical behemoth towers over most.
by Noel Murray
 
William Klein
Eclipse Series 9: The Delirious Fictions Of William Klein
When a former painter, fashion photographer, and modernist designer in the ‘50s and ‘60s became a filmmaker, he made movies like nobody else.
by Noel Murray
 
Good Luck Chuck
Good Luck Chuck
Dane Cook is right about what this commentary track turned into.
by Scott Tobias
 
Ring of Fear
Ring Of Fear
Can anyone solve a baffling set of big-top mysteries? How about real-life mystery writer Mickey Spillaine?
by Nathan Rabin
 

DVDs In Brief

Recent Reviews

 
Three Caballeros box
The Three Caballeros / Saludos Amigos
When Walt Disney traveled south of the border, the results said something about tourist and destination alike.
by Nathan Rabin
 
Death Of A Cyclist
Death Of A Cyclist
With Spanish cinema floundering under the Franco regime in the mid-‘50s, one filmmaker took a bold stand.
by Scott Tobias
 
Flash Point
Flash Point
Hong Kong action cinema is long since past its peak, but don’t tell that to Donnie Yen and Wilson Yip.
by Noel Murray
 
adventures of baron munchausen
The Adventures Of Baron Munchausen: 20th Anniversary Edition
Say this for Terry Gilliam’s infamous flop: Every cent of the extravagant budget is up on the screen.
by Nathan Rabin